Written By: Can Human-Created Writing and AI-Produced Writing Coexist?

 

One of my recent blog entries deals with how writers can outwrite AI. (It’s geared toward horror writers, but it applies to any fiction writer.) If you missed it, you can read it here: https://writinginthedarktw.blogspot.com/2026/04/how-to-win-war-against-ai-fiction.html

 

This entry is about what writers can do beyond their actual writing to continue setting themselves apart from aithors. I saw someone use the term aithors on social media, and if I could remember who it was, I’d give them credit. I do remember that they didn’t mean it as pejorative, and I don’t either. It seems to me an effective label to differentiate AI book-producers from writers whose work was created without generative AI.

 

I’m not going to debate the ethics of using AI to produce fiction in this entry. As a writer and human being, I’m against its use in the arts, both because it was trained on stolen material and because of its environmental impact. As a teacher, I’m against it because it keeps people from working to develop their own artistic skills. I’m putting my personal feelings aside right now and proceeding from the premise that aithors aren’t going anywhere and they’ll be selling their AI fiction on Amazon and selling their AI-produced books at conventions and book festivals.

 

I also use the terms AI-produced books and human-created books in this entry. AI-producers use a program to make a book for them. There’s some creation involved, but very little compared to non-AI-using authors. I wanted terms that accurately describe the process of making both types of books. If you’re an AI-producer and you’re salty that I don’t call you a writer, I can’t help you. You don’t write. You direct an AI program to string together words, sentences, and paragraphs based on the massive amount of information it stole. Maybe you shape it somewhat after that, but if anything, that’s editing work you did not write.

 

Truth in Advertising

 

Aithors should be upfront about how they produce their work, and readers should know ahead of time what sort of book they’re purchasing. Some readers may not care if a book was produced by AI or created by an actual human, but some will. Some may even prefer AI-produced books. It’s only ethical to inform consumers of the exact nature of what they’re purchasing. Producing a book with AI and pretending you created it all on your own is a lie. More than that, it’s fraud. People do employ ghostwriters and then pretend they wrote the finished product, and the ethics of this in terms of readers knowing exactly what they’re purchasing are the same as with AI-produced fiction, but at least a human (the ghostwriter) was paid in the process. (Although I wonder what AI will mean for professional ghostwriters. Will they find their work drying up, or will they use AI to produce books quickly so they can make even more money?)

 

This is an AI-Produced Novel

 

AI-produced fiction should be labeled as written by AI, produced by AI, assisted by AI, etc. I think assisted isn’t the best label, as it implies that AI may have only helped the writer a little bit. If AI was heavily used in the production of a book, the term assisted is misleading at best, and a lie at worst. Plus, an audience for AI-produced books may arise, and I would think aithors would want to market to them. Some aithors might argue that if they label their books as having been written by AI that it will limit their audience, and that’s probably true. But that happens with any type of fiction. I write horror and dark fantasy. Readers who love cozy mysteries are not going to buy my books. That’s fine. I don’t write in their preferred genre. Aithors might argue that labeling their work as AI-produced will make it seem inferior in the eyes of some readers, and that likely will happen. But writers of genre fiction are used to (some) literary writers and academics viewing our fiction as lesser. We know this, and most of us don’t worry about it. We know our work will never appeal to all readers, any more than the work of literary writers will. Plus, AI-produced fiction will likely become a genre all its own, one that, as I said earlier, may have its own readership. As its own genre, it’ll need vocabulary that names it and describes the process of producing it. I’ve used placeholder terms in this entry, but I imagine actual terms will be developed over time.

 

And if you use an AI-produced cover, you should disclose that as well. Anyone who’d be interested in reading an AI-producer’s book shouldn’t mind that the art AI uses to produce images was stolen.

 

I think it might be a good idea for aithors to have a page at the front of their books detailing how they used AI. If you used assistive AI, such as Grammarly, there’s no need to mention that, especially if you just use it for spelling and grammar checks (as I do). Be aware that Grammarly can trip AI-detection programs, so if an agent or editor is checking submissions for AI use, you don’t want them to think you used AI to produce your entire manuscript (or even the majority of it). If I picked up a book and saw such a list, and it said the aithor used AI only to generate ideas for character names and to provide feedback on work in process, I’d at least read a couple of paragraphs and see what I think about the writing. But if the book was labeled AI-produced without any further explanation, I wouldn’t touch it. Providing a list of ways you used AI could potentially broaden your audience. And if you used AI in very limited ways, you could potentially label your book as AI-enhanced (but don’t lie and say it’s enhanced when AI really produced the entire goddamned thing).

 

And yes, you could make an argument that using different labels to differentiate AI-produced books from human-created ones is a “separate but equal” policy, and that separate can never be equal. But I believe that human-created writing and AI-produced writing are different things. Even if you believe they’re essentially the same, just because green beans and French-cut green beans are the same vegetable, their preparation is different, and different consumers might prefer one over the other. Same with AI-produced books and human-created ones.

 

Something AI-producers should consider, though: We know you’re okay with having your book based on stolen material, don’t mind a cover produced with stolen art, and that you don’t care about the environmental impact of AI. So we have no reason to believe that you’ll be honest when you write your list of how you used AI. And you have no easy way to prove you’re telling the truth.

 

Be Loud, Be Proud

 

The coffee shop at the college where I teach “proudly serves Starbucks coffee.” Maybe Aithors should label their books as “Proudly produced with AI.” If aithors are proud of what they do, they shouldn’t be hesitant about identifying their books this way. If they aren’t proud to admit they use AI, then that says they don’t truly believe in what they’re doing. In which case, they should do some soul-searching about whether they truly want to use AI to produce their books. I may think using AI to produce fiction is nothing to be proud of, but why would aithors who truly believe in what they’re doing give a shit what I or anyone else thinks? Claiming the identity of an aithor (or whatever term eventually becomes standard) tells readers you aren’t ashamed of what you’re doing and that you believe it’s an ethical, viable alternative to human-created writing. And again, if you don’t believe that, maybe consider writing the old-fashioned way – just you, your imagination, the blank screen, and your words.

 

The Traditional Publishing Stamp of Approval

 

One advantage of traditional publishers is that they can vouch that your work was written by a human. They also vouch that your work is of a certain quality, like how a college degree makes it easier for employers to gauge that you – hopefully – have the experience, training, and knowledge for a job. It’s a stamp of approval that makes it easier for an audience to take a look at your work and seriously consider purchasing it. Big press, small press, it doesn’t matter. Having a press with a reputation for putting out good work vouch that your books are human-created will help readers believe they weren’t produced by AI. Otherwise…

 

Aren’t All “Authors” Aithors?

 

People may come to regard all indie writers as aithors, regardless of the truth. Anyone can say their books were not produced by AI, but how can readers know for sure? They can’t. (I mean general readers here, not well-read critical readers who are more likely to recognize AI-produced fiction.) Because of this, I wonder if many indie writers will start seeking out traditional publishers that can vouch for their work. I hope aithors don’t ruin things for indie writers, but I do foresee them being a huge pain in the ass for indies.

 

Like it Says on the Tin

 

Writers should use a non-AI label, like products labeled as gluten-free. Some writers and publishers are already doing this, but if you’re indie, I advise you to start doing it, and I’d consider putting a 100% Human-Created label on your book covers. If you’re a publisher and you’re not labeling your books this way, consider doing so. It’s a visual signal that your books are human-created, and people can see the label when the cover is posted online or if they stop at your table during a book-selling event. Hell, we should probably put 100% Human-Created on all our signage, too, and on our websites, and business cards… I sent my first story out for publication in 1982, so maybe I should put 100% Human-Created Since 1982 on all my shit. Maybe even make it a line in my bio.

 

The Authors Guild has started a human-written certification program. It’s only open to members at the moment, but they plan to open it to non-members as well: https://tinyurl.com/3evhzaz4

There are various other sites that offer human-written certification – for a price. A simple Google search will reveal them, but as always, buyer beware.

 

Here’s one from author Sarah Hall:

 

 

You can read an article about why she decided her latest novel needed a maker’s mark here:  https://lithub.com/human-written-why-sarah-hall-put-a-makers-mark-on-her-new-novel/

 

AI Marketing has both 100% Human Written and 100% AI Written badges: https://aimarketingplan.com/human-ai-content-badges/

 

So Happy Together

 

Indie writers who don’t want to make the move to traditional publishing should consider forming author collaboratives that seem like publishers, in the sense that the collaborative vouches for each member as a writer of human-created books. Members can cross-promote each other and table together at events to further cement their collective identity. They could also visually brand themselves with shirts or hats they wear at events, which have the group identity/logo on the front. I’m not sure what the best size for such collaborative groups would be. Three to five members, maybe? And, of course, make sure everyone is someone you want to be in a group with. Members can still do events as individuals, but wear their collaborative-branded shirts. They should probably have a group website with links to their individual sites, as well as a group newsletter in addition to individual ones.

 

If any of you have thoughts on anything I’ve mentioned above, or ideas you want to add to mine, feel free to put them in the comments. If anyone just spouts venom without contributing anything of substance, I’ll delete your comment and ask you to rewrite it so it’s constructive. If you’re an aithor (or want to be), I promise I won’t attack or ridicule you.

 

DEPARTMENT OF SHAMELESS SELF-PROMOTION

 

The World Turns Red

I still don’t have anything new to promote yet, so I’m promoting my novella from Cemetery Dance, which came out almost a year ago.

Welcome to the meat room.

 

At first, it’s a whisper on the edge of your consciousness.

 

As it gets louder, you begin to make out words—dark, sharp, dangerous words… You clap your hands over your ears to shut them out, but you can’t escape what comes from inside you.

 

The voice tells you to do things to yourself. Bad things. Awful things…

 

The longer you listen, the more they seem reasonable. Desirable.

 

Inevitable.

 

And as you reach for the nearest knife, gun, or rope, the voice speaks the last four words you’ll ever hear:

 

All hail the Unhigh.

 

“Waggoner blurs the lines between reality and nightmare, leaving readers questioning what is real and what is imagined. His setting against both a familiar and unsettling backdrop is expertly built within a world laced with an underlying sense of dread.”– Catherine Jordan, Horror Tree

 

“A dark, disturbing masterpiece worth binge-reading in one sitting.” – S.E. Howard

“This is a very dark, intense read with a surreal quality that pulled me in from page one and held me spellbound to the bitter end.” – Well Worth a Read

 

“The World Turns Red is another in a long line of brilliant horror work by Tim Waggoner. There was never anyone who could blend the real with the surreal so seamlessly that, as wild as the story gets, it makes perfect sense somehow. Now THAT takes one hell of a writer. The book is a flawless masterpiece…6 out of 5 stars.”  – Carson Buckingham, Hellnotes

 

Amazon: https://tinyurl.com/5cabrjn2

 

SCHEDULED APPEARANCES

 

“The Art of Suspense” workshop. May 4, 5:30-6:30 p.m. Dayton Metro Library, Wilmington Stroop Branch. Kettering, Ohio.

 

StokerCon. June 4-7. Pittsburgh, Pennsylvania.

 

Shore Leave 46. July 10-12. Lancaster, Pennsylvania.

 

GenCon Writers Seminar. July 30-August 2. Indianapolis, Indiana.

 

Into the Springs Writers Workshop. August 7-9. Yellow Springs, Ohio.

 

Shivercon. August 14-15. Muncie, Indiana.

 

WHERE TO FIND ME ONLINE

 

Want to follow me on social media? Here’s where you can find me:

 

Website: www.timwaggoner.com

Newsletter Sign-Up: https://timwaggoner.com/contact.htm

Substack: https://substack.com/@timwaggoner

Amazon Page: https://www.amazon.com/stores/Tim-Waggoner/author/B001JP0XFM?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true

Blog: http://writinginthedarktw.blogspot.com/

YouTube Channel: https://www.youtube.com/c/timwaggonerswritinginthedark

Goodreads: https://www.goodreads.com/author/show/133838.Tim_Waggoner

Instagram: @tim.waggoner.scribe

Threads: @tim.waggoner.scribe@threads.net

Bluesky: @timwaggoner.bsky.social

Facebook: https://www.facebook.com/tim.waggoner.9

Dear Aithors

 

The other day, I had what literary writers call an epiphany, and which regular writers like me call an insight. But epiphany sounds cooler, right?

 

Someone on a Facebook thread asked if it was necessary to use AI to write a novel. I have no clue whether the poster was serious or if they were trolling, but either way, people responded. Some dropped snark bombs, but others took the question seriously. The responses boiled down to two things: One, generative AI was created with stolen material (including around thirty of my novels), it’s harmful for the environment, and research has shown it damages cognition (and that this damage is permanent). Two, why would anyone want to write a novel without going through the process of making it yourself?

 

My comment: Writing with AI is like using a motorcycle to win a marathon.

 

(Before I continue, I’m only talking about using generative AI to write for you or do the bulk of writing for you. And as I tell my students, if you’re comfortable with the moral and environmental issues with generative AI use, that’s your business. I’m not here to judge your choices. My students and I talk about the limited ways generative AI might be able to help them without doing too much of the work for them. My creative writing students want nothing to do with generative AI. Some of my composition students feel that way, while others would gladly use generative AI to do as much of their coursework as possible if they could get away with it.)

 

After I posted my comment on Facebook, I kept thinking about it, and I realized a truth about AI “writers” (I saw one person use the word Aithors, on another thread). Extending my marathon example a bit – the motorcyclist does not understand the purpose of a marathon. They believe the goal is to reach the finish line, and if a motorcycle can get them there faster than everyone else (and without taxing them physically), they’ve simply worked smarter, not harder. A marathoner knows the goal is to run the race. To do this, they have to train. They have to become a marathoner. They test themselves in both body and mind, learn about their perceived limits, continue to push themselves, to grow. Becoming is all about process and growth. The ultimate product – in this case, winning a race – means something because of the process. The marathoner has worked hard as hell to become capable of doing something the vast majority of the human race has never attempted, and of those who do attempt it, only a few reach the point where they can finish a marathon, let alone come in first.

 

Non-runners don’t think marathoners are elitists who are gatekeeping marathoning. This is because they can see people run, can understand how long a marathon is, can try to run that distance without any training and preparation, and see how far they get. Enough of the process takes place in the physical world for non-runners to understand, in general, what it takes to become a marathoner. Time, dedication, practice, acquired and applied skills, hard-won experience…

 

Through my marathon example, I realized that most “aithors” are motorcycle riders. They think the goal of writing a novel is to have a finished book in hand, so anything that can get them to that goal as fast as possible, with as little effort as possible, is the way to go. And all those idiots plodding along on their feet behind them just aren’t smart enough to hop on a motorcycle.

 

Writers are marathon runners. They understand that writing is a verb, just like running. Writing is doing. It’s Sarah’s speech at the end of the movie Labyrinth. “Though dangers untold and hardships unnumbered, I have fought my way here to the castle beyond the Goblin City…” Being at the castle isn’t the point. Reaching the castle is, along with all the knowledge, self-insight, and growth that occurred to you on the journey.

 

Aithors would reach Jareth and say, perhaps smugly, “I didn’t feel like doing all that walking, so I called an Uber.”

 

This is why I think it’s useless to argue with aithors. They have no understanding of what writing really is, hell, what process is. If they’re young enough, they’ve lived their entire lives in a world where all they have to do is push a button, and they get their result, never seeing all the steps that occurred to get that result, because those steps can’t be perceived. If aithors aren’t creative by nature, or haven’t had their creativity nurtured as they grew up, they literally do not understand it. They don’t value doing. They only value having.

 

Lots of people suggest that generative AI is an aid to people who lack creativity, writing ability, and writing training, so it’s like an accommodation for someone who has a disability. Now everyone can be a writer, and no one will be left out! Except aithors aren’t writing. When I was an undergrad in the eighties, I worked in the Writing Lab at Wright State University. WSU was known for being one of – if not the – most accessible schools for people with disabilities in the world. As a writing tutor, I worked with people who had a range of physical and cognitive challenges, and the tool that did provide accommodation for them was a new thing called a personal computer. We could adjust the font size for people with vision problems. Often, people with physical disabilities could still grip a pencil and press the keys to type. If they were physically incapable of typing, we sat at the keyboard and typed the words they spoke to us. We were trained not to comment on their writing as they were drafting, and not to improve it as we typed. The PC was a wonder tool back in those days. It made it possible for people with certain disabilities to write because while writing is a verb, it’s ultimately a mental process. Writing is thinking is what comp teachers always say. This accommodation did not replace someone’s thinking. It allowed their thoughts to be recorded as writing so they could be revised later, or turned in as a finished assignment, if that’s what the tutee desired.

 

The thinking is the goddamned point.

 

And yes, some tutees had cognitive issues because of organic damage to their brains or because they had learning disabilities. We still helped them think, process information, express their thoughts, and produce them as writing. Processing info might’ve been a challenge for them, but they worked hard at it, and they did it to the best of their ability. And the more often they did it, the more they improved.

 

My experience at the Writing Center is a big reason why I don’t let myself worry about writer’s block or whether I can accomplish a challenging writing task. In the Writing Center, I saw people overcome challenges I can’t even imagine having. After that, I couldn’t take my petty bullshit writing fears seriously. My challenge is depression, but I work to deal with it and not let it stop me because of the disabled tutees I worked with in college. Every fucking one of them was a hero to me. And the only time I really get furious at aithors is when I think about those heroes. Every single one of them was more of a writer than any AI-assisted “author” will ever be.

 

If AI could function as a tutor instead of a replacement for thinking, it might actually become an accommodation tool. I’ve never used programs like Scrivener (I bought and downloaded the damn thing a year ago just so I could become familiar with it, but I’ve never opened the program), but I’m familiar with the basic tools it gives writers, and it seems like it can be an aid to thinking rather than a replacement for it.

 

I know aithors aren’t going anywhere. Why would someone stop using AI when it can give them something for nothing? But if any of you who are reading this are on the fence about using generative AI for writing, I urge you not to replace yourselves. I want you to write, not some fucking program. We need your voice, your vision, your perspective, your imagination. And if you feel you don’t have these things, or if you do, they aren’t strong enough yet, remember that every journey begins with a single step.

 

Just like a marathon.

 

DEPARTMENT OF SHAMELESS SELF-PROMOTION

 

As I was finishing up this blog post, I wondered what work(s) of mine to promote this time. I decided to go with the Custodians of the Cosmos series from Aethon Books. This trilogy, perhaps more than anything else I’ve written, is the most me, and it would be impossible for generative AI as it currently exists to create anything as bat-shit crazy as these books.

Creatures from dark dimensions infesting your home? Demonic beings trying to drive you insane? Alien gods attempting to destroy your universe?

 

Just call Maintenance.

 

This underpaid and overworked secret organization is dedicated to battling forces that seek to speed up Entropy and hasten the Omniverse’s inevitable death.

 

“Waggoner offers a fresh variation on the trope of a covert agency combating evil in his blood-drenched Custodians of the Cosmos series opener.” – Publishers Weekly

“This gripping dark fantasy boasts an indelible cast and an unwavering pace.” – Kirkus Reviews

"THE ATROCITY ENGINE is a wild ride full of entertaining scenarios and scary monsters!" – Booklist

“THE ATROCITY ENGINE is a kick-ass cross-genre thrill ride of a novel! Holy moly! Tim Waggoner is easily one of today’s best horror writers.” – Jonathan Maberry, NY Times bestselling author of CAVE 13 and NECROTEK

"This is edge-of-your-seat Horror Fantasy. It's as if Stephen King wrote MEN IN BLACK!" —Scott Sigler, #1 NYT Bestselling author of EARTHCORE

“Fast-paced, cleverly thought-through, and deeply unnerving in all the right places—urban horror fantasy with a decidedly creepy difference. Don't read it in the dark!” – Diane Duane, New York Times bestselling author of TALES OF THE FIVE: THE LIBRARIAN

https://aethonbooks.com/book-author/tim-waggoner/

 

SCHEDULED APPEARANCES

 

“The Art of Suspense” workshop. May 4, 5:30-6:30 p.m. Dayton Metro Library, Wilmington Stroop Branch. Kettering, Ohio.

 

StokerCon. June 4-7. Pittsburgh, Pennsylvania.

 

Shore Leave 46. July 10-12. Lancaster, Pennsylvania.

 

GenCon Writers Seminar. July 30-August 2. Indianapolis, Indiana.

 

Into the Springs Writers Workshop. August 7-9. Yellow Springs, Ohio.

 

Shivercon. August 14-15. Muncie, Indiana.

 

WHERE TO FIND ME ONLINE

 

Want to follow me on social media? Here’s where you can find me:

 

Website: www.timwaggoner.com

Newsletter Sign-Up: https://timwaggoner.com/contact.htm

Amazon Page: https://www.amazon.com/stores/Tim-Waggoner/author/B001JP0XFM?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true

Blog: http://writinginthedarktw.blogspot.com/

YouTube Channel: https://www.youtube.com/c/timwaggonerswritinginthedark

Goodreads: https://www.goodreads.com/author/show/133838.Tim_Waggoner

Instagram: @tim.waggoner.scribe

Threads: @tim.waggoner.scribe@threads.net

Bluesky: @timwaggoner.bsky.social

Facebook: https://www.facebook.com/tim.waggoner.9